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EduartBoudewijn

Eduart B.
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Commissions

1 min read

Slots

These slots are currently open/taken. Slots are limited to this amount to avoid extremely long waiting times and me getting overwhelmed.


  1. Turtle1200 (Single colored image)

  2. wiggles234 (4 sketches, 1 color upgrade)

  3. klatuk4u (2 sketches)

  4. chocolatejr9 (Single colored image)

  5. Protectonot (8 sketches)


General

If you're interested in a slot please note me so we can discuss what you'd like and if I'm able to help you with your commission. Payment is required up front before I start work on your commission. Sketches are send out for approval before linearting/coloring is started.


Prices

Prices listed here are on a basis of per-character and per-stage of a potential sequence.


Sketch $20


Example of work:

Collab: Rats of Agrabah

Lineart $40


Example of work:

Dark Queen AR part 1 Lines

Colored (Cell shaded) $60


Example of work:

Jane turns foxy

Backgrounds are on a base price of $10 for a sketch, $20 for lineart and $30 for Cell shaded. Background prices might be increased in the case of a very complex background.

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Hey all,


since today was my 30th birthday, I'm planning to do a birthday request stream on the 16th (coming saturday). I'll be starting around 12:00 CET (11:00 GMT, 06:00 EST, 03:00 PST) and I'm planning to be going for most of the day; so feel free to drop in at any time that's convenient to your timezone. I'll be drawing sketch requests for people in the chat and hopefully generally having a good time with you all.


My channel: https://picarto.tv/eduartboudewijn/

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Status update

2 min read

Hey everyone,


sorry it's been a long while since my last upload. I've been struggling with a lot of things this year. It's a bit tricky for me to put this all into words properly, but at the same time I felt like you all decided to know what's been going on at least. Not sure how many will actually see this, due to how much Eclipse sucks, but it is what it is.

So for the past 6-12 months I've been really busy at work, it always used to be pretty busy but over the past few months things have been getting more and more busy and insane. Long days and grueling shifts made it so I had very little time and energy to even cook and sleep properly, let alone get art done. This has resulted in me burning out in some ways. I've been taking time off from work to recover from this for a while now and although I still have a lot of ground to cover mentally I am finally starting to get to at least a reasonable point physically again. I'm slowly picking tasks back up and I'm trying my best to get back into art to get back to working on the current commissions.


Though this has been quite difficult too; for a long while now I've been really down on myself art-wise which kind of has turned into a bit of a vicious circle. I'm trying my best to push through, but alongside the other issues it's been really rough.


I just wanted to let you all know where I've been; I'm still alive and I'm still trying to get back on top of everything. I apologize for keeping you all waiting for so long and I do wanna thank you all for your amazing patience with me. I'm not out of the hole yet, but I'm trying to get there and luckily for me I have some really wonderful people in my life to help me with that.


Hopefully there'll be new art to share with you all soon!

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Hello everyone, it’s been quite a while since the last one of these that I wrote, but earlier today I felt struck by this topic and I figured I might as well write down my thoughts on this topic.


Now it’s been often said (and proven) that doing multiple things at the same time can lead to sloppy work or even dangerous situations. When we’re talking about physical tasks this is pretty easy, since we have only one body and a limited number of limbs. Imagine trying to do pushups while at the same time riding a bike. It’s just physically not possible to do two larger things like that with only one body. Now the same thing goes for your mind. For example try to solve a word puzzle while someone is trying to tell you a story. Either the story won’t land or your puzzle will not get solved properly. It’s the same when you’re trying to do multiple things at the same time, like trying to work while also trying to watch television or youtube; either you do very little work or you miss a lot of what you’re actually watching. It’s like one of those optical illusions that can be two things depending on how you look at it; you can focus on either one at a time, but not both at the same time. And it turns out that when switching between two tasks your brain takes a bit of time to reset and readjust to the new task. It’s like getting off of your bike to do a pushup after every ten meters. You’ll technically get both done, but you won’t get very far on your bike and you won’t get all that much pushups done as you could’ve done. This is why many productivity-focused people advise against performing multiple tasks at the same time.


So far so good, you might think; just focus on your task and don’t do other things at the same time. It’s what I’ve been trying to stick to more as well. But lately I’ve been realizing that there’s a deeper layer to this philosophy than just not answering emails while trying to draw. It also applies to the smaller tasks within the larger task of ‘drawing’. For example, you won’t find many artists that draw out the final image in one go. The same way many writers don’t write a fully finished story in one go. First you draw a construction sketch; maybe even thumbnails before that to get a sense of what you want in this drawing. THen you use the base construction to build your anatomy on top of. And after you’ve drawn out the anatomy correctly you’ll go and add the clothes on top of that. So you’re breaking down the larger task of drawing into specific smaller tasks, so you can focus on that one aspect before moving on to the next. That way you can fully focus on that task and get the best result for each of it.


Now more recently I’ve been trying to pay attention to getting even deeper into this and getting into smaller subtasks. So rather than having a task of ‘drawing clothes’, I mentally make a task for each individual article of clothing. First draw the shirt for example and once that’s done draw the pants. So far so basic, but this gets quite important when drawing characters with more elaborate outfits, especially layered outfits, where multiple articles of clothing overlap one another. By drawing the bottom layers first and building on top of that in my experience it gets much easier to draw complicated outfits convincingly.


Now the same can be said for other aspects, such as linearting or shading. When I’ve been doing linearting lately, I focus on getting the lines in the correct places before going back over and adding the line weights to accentuate the form of the drawing. Before I usually tried to do both at the same time, but that usually left me frustrated and my lineart looking flat. Perhaps after I have gained enough experience I will be able to focus on both at the same time, but for the moment I can definitely tell you that separating the tasks has made my work a lot easier. And for shading I’ve been trying the same thing; focusing on the lighting in small parts at a time in the drawing, rather than trying to get everything down at the same time is a big relief. It also helps a lot when you try to depict multiple light sources and allows for easier usage of different kinds of light on top of one another. I feel like I can go even farther with this method in terms of shading and I will be experimenting with this part of my workflow for the coming weeks/months; hopefully to positive results.


Now focussing on one particular thing at a time is something that’s not easy at first; I’m still often struggling with it. It requires a decent amount of patience and discipline to stick to. But over time it gets easier and I feel like the longer I’m holding on to this philosophy, the more ways I see to split my workflow apart. Also I feel like this approach leads to richer drawings over time and in my experience it removes a lot of frustration that used to plague me while drawing.


On a final note I’d like to touch upon the subject of art studies. Say you are trying to get better at something. In my experience when I decide upon studying something I still go way too broad in my intentions. For example I decide to ‘study anatomy’ and end up practising all of the human body. It would probably be more productive to decide on a smaller study area, like arms, legs etc. And after that I could go even smaller, focusing on hands or feet specifically. Another level down I could focus on a particular finger in relation to the hand or ankles. It depends on how crazy you want to get with this approach. I think that focussing down on a small thing and sticking with it for a full study session can teach you a lot of detail information that you wouldn’t get from focussing on the body as a whole. The same can be said for focussing on the shading on a particular material or object, rather than doing a full value study or focussing on drawing one single object in perspective, rather than trying to depict a whole scene.


Now the disclaimer must be mentioned that focusing on the whole can be very helpful at times as well. Once you have a good knowledge of small pieces on their own you’ll need to know how to put them together convincingly as well; which can be the subject of a different study session. The point also isn’t to go to incredibly small scale immediately; I’m doing this over a longer timescale myself. Just keep the point in mind and ask yourself “Could I improve my performance by just scaling down a little bit?” Small gains like that definitely add up over time.


At least this is a philosophy that I’ve been focusing a bit more on lately and I felt that perhaps some people would find it helpful or at least interesting. I would love to hear what you guys think of this mindset and perhaps your own experiences on the subject. Thank you very much for reading this!



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My Picarto Channel: picarto.tv/eduartboudewijn/

My Youtube Channel: www.youtube.com/channel/UCySnH…
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I’ve thought a long time about what I was going to write for this post; it’s been quite a while since the last one. I do have a couple topics I want to discuss in mind, but I had trouble picking one and actually getting started (maybe there’s a topic in there as well =p). I’m thinking about trying to get these out a bit more regularly if people would be interested; maybe trying to get one out once a month slowly moving towards once a week; depending on feedback. For now I’ve been wanting to talk about this topic since it’s a big stumbling block for me as an artist and at times even as a person. I think this might be a problem for other people as well, so I’m hoping to get something of a discussion going here.

Patience

Now in general I view myself as a fairly patient person; I don’t often mind waiting for people or even just things to happen (except of course when I’m in a genuine rush, but that’s a different situation altogether). But there seems to be a single person that I find it difficult to find patience for; myself. For some reason, I’m having a hard time to give myself a breather when I’m looking at a large workload. When I’m waiting for someone else to finish and upload, let’s say, a new part of a sequence, I can wait for weeks and weeks on end, no biggie. But for some reason when I’m in the middle of a sequence or a comic myself I feel bad about not finishing the next upload within a short amount of time; often even within a day. This is some weird mental model I have that somehow expects me to finish anything within unreasonable time limits and then chastises me for not meeting those unreasonable expectations.

Breaking tasks down

I’ve been trying different ways to deal with this issue for a while now and although it remains a struggle there are some things that I’d definitely recommend to help you to get over an issue like this. The major one is breaking large tasks down into smaller tasks. Of course, this isn’t anything new, you’ll get this advice pretty much everywhere when you’re trying to be “more productive” or something like that. For me the issue with this solution was always in the feeling of accomplishment; in general, I get a huge wave of accomplishment when I’ve finished something tangible. That’s probably the result of a part of my upbringing in not doing half-work, but it makes breaking large tasks down quite tricky, since I have difficulty feeling proud over a half-finished task.

This is something I’ve been working at; it requires a change in mindset. I started with changing my mental expectations from “let’s do an entire drawing in one day” to “let’s do a full sketch today”. This worked quite well for a while, although real life responsibilities and trying to do more complex images makes this less feasible. So, at the moment I’m changing that mindset again to where I’m trying my best to be proud over just doing a basic pose sketch or sketching in some background details, rather than an entire sketch. The goal is to just do whatever I can in the time I have without large expectations. It’s been said often and unfortunately I’ve found it to be true that expectations often just lead to disappointment. Furthermore, entering a drawing session without expectations feels a lot more “free” often just the thought of “I have to get this done today” can crush the fun out of the process of drawing to the point where I’m struggling to spend some time on the activity I do love so much.

1 > 0

Especially since I’m planning on doing some larger projects at times this is an issue I really have to resolve sooner rather than later, and even when I’m typing this sentence I feel the impatience in my stirring, rather ironically. I’ve been planning for years now to try and get some animating going, but when I’m having trouble to keep the momentum going over several weeks for a fairly basic sequence I’m definitely wondering how I’m going to tackle this beast. And of course the obvious answer is; one day at a time. The journey of a thousand miles starts with a single step. All I have to do is to just remind myself to take a step every day. I often compare this analogy to my own mindset; which would be something like “If I can’t journey a thousand miles with one step, why would I take a step at all?” which is just so awfully stupid I’m almost embarrassed to put it here. A mantra I’ve been pushing into my brain for the last few weeks is “one is bigger than zero” or “1 > 0” to put it more mathematically. If during a day I do nothing but draw a single line, that day would rank higher in productivity than even so many days during this year. And of course it would mean that for that single drawing I’d have one line less to put down. I’m currently trying to get this as a new baseline expectation; just draw a single line. It doesn’t matter if it’s just a single line in the rough sketching phase, the 1st, 2nd or 28th line during the linearting phase, or even just one finger’s worth of shading. It would be more than I’ve gotten done on so many days of this year and years past with such a small amount of effort. Also, once I’ve drawn that single line it’s likely that I’d draw at least a couple more.

I’m very interested in hearing about your sides of this topic; do you have the same issue I described here as well or does this come easily to you? Do you have any tips or tricks that help you to keep your eyes away from the finish line and focused on the next step? If so please share them and anything else you’d like to contribute in the comments below. Any feedback on this articles or suggestions for new topics would also be greatly appreciated!



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My Picarto Channel: picarto.tv/eduartboudewijn/

My Youtube Channel: www.youtube.com/channel/UCySnH…
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Featured

Commissions by EduartBoudewijn, journal

ED Talks: One thing at a time by EduartBoudewijn, journal

ED Talks: Patience and Expectations by EduartBoudewijn, journal

General update by EduartBoudewijn, journal

Sketches by EduartBoudewijn, journal